Simons Death Lord Of The Flies Essay Examples

Simon's Death In "Lord Of The Flies"

Golding uses the death of Simon to portray a death of goodness on the island and in the boys. This essay will explore how, with the use of language and imagery, how Golding shows this in chapter 9 of "Lord of the Flies".

Golding uses the weather and the technique of pathetic fallacy throughout the chapter to show the build up of tension on the island and then a release of all the built up tension. At the beginning of the chapter, Golding describes the clouds gathering, "Over the island the build-up of clouds continued" the clouds represent the boys' savagery starting to grow. Then later in the chapter, "Piggy inspected the looming sky", the evil continues to build up, and then, it all breaks, after a gathering of evil, the evil breaks loose, "Between the flashes of lightening, the air was dark and terrible". In this terrible frenzy, the sin of murder is committed. The extremity of the weather reflects the extremity of the boys' actions and their savagery. After Simon has been killed the weather is described as lighter, "Towards midnight, the rain ceased and the clouds drifted away" the intensity of before has finished and swept away the evil, although perhaps only temporarily...

Golding uses horrific language to show the savagery of the boys in this frenzy, "Screamed, struck, bit, tore" these strong verbs give us a sense of the evil being done. It also shows that the savagery of the boys has been building up since they arrived at the island; it is not a recent thing and because of how, when the pressure is released, almost like a volcano they lose complete control and the anger erupts, "the mouth of the new circle crunched and screamed". Again, powerful verbs are used to convey the terror and violence and the terrible release of pressure against an innocent being.

The image of the scar that Golding creates in "Lord of the Flies" symbolises the damage they are doing not only to the island but to themselves, "The dark sky was shattered by a white-blue scar". A scar is a permanent impact that will never go away, "The blue-white scar was constant" once the boys have murdered; they will not be able to undo their actions but must continue how they have started, in a terrible way. The scar shows that they have crossed a significant line towards complete savagery. By killing a human being they...

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Lord of the Flies: Piggy’s and Simon’s Deaths

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In Lord of the Flies, by William Golding, Piggy’s death is a pivotal point in the novel, signifying the extinguishing of all traces of civilization and logic on the island as savagery, in one merciless act, takes the reigns of control on the island. Piggy’s murder is entirely and inarguably intentional, committed by Roger, a symbol of human nature’s inherent darkness–its pure, unadulterated savagery. Piggy’s character, on the other hand, is a source of light, the unwavering voice beneath Ralph’s campaigns for civilization, and is an advocate of logic and scientific reason.

Both boys serve as advisors of sorts to their respective leaders–Piggy to Ralph and Roger to Jack. It is a consistent and almost fitting death in the novel’s larger theme of the struggles of civilization against savagery which is the dark side of human nature to which Golding shows civilization can quickly devolve. Savagery annihilates reason purposefully, swiftly and violently. Piggy’s death is different from Simon’s, ultimately more significant to the novel’s overarching message, although equally violent in nature.

While Simon’s slaughter can hardly be attributed to accident, Simon’s murder closely resembled a hunt and a crime of temporary insanity more so than a cold-blooded murder. Simon is killed in the fever of excitement and the boys’ barbaric chants, their lusts for blood speaking louder than their swiftly diminishing tendencies toward reason. However, Piggy’s death cannot be mistaken for an accident of any sort. Roger, his killer, is a boy who had, from the start, consistently test the boundaries of conscience and civilization and quickly grown to disregard them entirely.

Piggy’s death, however, does not come entirely as a surprise, foreshadowed by the destruction of other entities that once stood as symbols of the power of civilization, each respective object and person meeting its demise at a devastatingly fitting point in the novel and each symbolizing further descent into the depths of savagery. Piggy’s spectacles, for example, were broken in one lens earlier in the novel after the signal fire goes out as a ship passes, and Jack had his first successful hunt.

The spectacles are later stolen by Jack’s tribe and Piggy, a symbol of reason, is left completely blind soon before he is murdered. Simon, a character who stands for the untainted (and unrealistic) good of humanity, is killed not long before Piggy’s murder. All signs seem to point inevitably towards Piggy’s death, yet it is still devastating to the reader, as a voice who had been unwavering in its fight for civilization is silenced. Simon’s murder is a true and horrifying display of the boys’ violent capabilities, a revealing of the great extent of their innate savagery.

Although Simon’s vision brings him to the realization of and the existence of an inner beast, he only truly meets and learns first-hand of the “beast’s” dominion over the boys on the island. In killing Simon, the boys are acting on a savage impulse–a tendency which has spread with exercise, come to conquer all others. The boys, in their murderous dance, exhibit a bloodlust, an energy and a barbarity shockingly similar to that of animals–semi-aware of their actions while entirely enraptured with the excitement and intensity of the moment. Even Piggy and Ralph are not exempt from involvement.

The two boys discuss it briefly on the morning following Simon’s murder, and while Piggy denies any association, Ralph is assured of their guilt. There is no question as to the identity of the boy they call the beast, yet Golding constantly alternates between referring to Simon by his name and as “the beast”. The name by which Simon is called is a strategic and revealing device. He is called Simon when desperately attempting to reason with the boys and convey his message, while referred to as “the beast” when being beaten mercilessly by the horde of boys.

Yet however revealing an event Simon’s death proves to be, its significance does not equate to that of Piggy’s death and its repercussions. Simon is merely a casualty of savagery–an unfortunate sacrifice and a victim of the boys’ savage impulses. His death represents the overpowering and eventual annihilation of good. However, the power of good has long since been left behind on the island and after Simon’s confrontation with the Lord of the Flies, it was only a matter of time before Simon, and the power of good with him, officially met his demise.

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Simon did not often play an active part in the plot of the novel, yet he was a constantly present force of kindness and productivity, and ultimately inherent to the novel’s inherent message. Compared to Jack’s savagery and Ralph’s civilization, Simon’s significance was on an entirely different plane–a representation of pure goodness and morality. However, the novel predominantly compares order and primitive instinct. No matter how important, Simon’s death reveals less of the descent nto savagery that the novel so expertly chronicles than Piggy’s death, an event symbolizing so much more than merely the bloodied shores would suggest. Although Simon’s death is equally as important as Piggy’s death in some respect, viewing the two separate from the themes of Lord of the Flies, in consideration of the novel’s central purpose, the symbolic value of Simon’s death is not as momentous as that of the destruction of one of the novel’s main forces of civilization, which is a more relevant and therefore significant event.

Author: Wallace Hartsell

in Lord of the Flies

Lord of the Flies: Piggy’s and Simon’s Deaths

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